Do “lixo” ao luxo: um ensaio sobre a música de pós-produção nos almodramas

This paper presents a synthesis of the results of an analytical exercise that investigated the way in which the director Pedro Almodóvar makes use of post-production music in his work. Applying the analytical model adopted in the Film Analysis Laboratory (Facom/UFBA), the seventeen fictional feature films directed by Almodóvar between 1980 and 2009 were analyzed, observing the way in which the director summons and employs the post production musical resources as a cinematographic expression strategy